8/16/2023 0 Comments Other words for integrity![]() In serving your country, you are doing your duty loyally without thought of recognition or gain. Selfless service is larger than just one person. Put the welfare of the nation, the Army and your subordinates before your own. The Army is one team and each of us has something to contribute. And self-respect is a vital ingredient with the Army value of respect, which results from knowing you have put forth your best effort. Respect is trusting that all people have done their jobs and fulfilled their duty. In the Soldier’s Code, we pledge to “treat others with dignity and respect while expecting others to do the same.” Respect is what allows us to appreciate the best in other people. You fulfill your obligations as a part of your unit every time you resist the temptation to take “shortcuts” that might undermine the integrity of the final product. Our work entails building one assignment onto another. Army is a complex combination of missions, tasks and responsibilities - all in constant motion. Duty means being able to accomplish tasks as part of a team. ![]() Doing your duty means more than carrying out your assigned tasks. And by doing your share, you show your loyalty to your unit. A loyal Soldier is one who supports the leadership and stands up for fellow Soldiers. Bearing true faith and allegiance is a matter of believing in and devoting yourself to something or someone. Constitution, the Army, your unit and other Soldiers. Loyaltyīear true faith and allegiance to the U.S. In short, the Seven Core Army Values listed below are what being a Soldier is all about. But how often do you see someone actually live up to them? Soldiers learn these values in detail during Basic Combat Training (BCT), from then on they live them every day in everything they do - whether they’re on the job or off. Many people know what the words Loyalty, Duty, Respect, Selfless Service, Honor, Integrity, and Personal Courage mean.
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8/16/2023 0 Comments Hanoi rocks don t never leave me![]() It is a songwriting masterpiece, testament to the abilities of Hanoi’s brainchild, Andy McCoy, and drummer Razzle picks up the pace for the live performance, upping the party vibe. Things are brought right back up to speed directly afterward however, with a wild version of debut hit ‘Tragedy’. It is this version that the group chose to perform on All Those Wasted Years, and it acts as a breather of sorts after all the high-octane madness that came before it. The original recording, on 1981’s ‘Bangkok Rocks, Saigon Shakes, Hanoi Rocks’ was a much more upbeat, punkier song – it was then slowed down for a subsequent re-release on 1984’s Two Steps From The Move. Another title track follows, this time 1983’s ‘Mental Beat’, before the set launches into the reworked version of their 1981 hit ‘Don’t You Ever Leave Me’. ‘And a very beautiful boy’ – which could be some reference to the group’s glamorous, androgynous image that they were once stigmatised for. ![]() The next number ‘Until I Get You’ is ‘about a girl….’ says Michael. He has a decent range and isn’t afraid to growl, scream even trill where appropriate throughout his performance, which gives the whole thing a brilliant punk rock edge. Despite lead singer Michael Monroe never being hugely regarded for his vocal abilities, there’s no denying that he is more than fit for purpose for the kind of music his band wrote. ‘Back To Mystery City’ and ‘Motorvatin’, two of the group’s biggest hits, are up next. It is good time rock and roll at its best, with slick work on the guitar neck at the hands of Andy McCoy, and a fun and rousing chorus. The first original Hanoi track to be played is ‘Oriental Beat’, the title track of their second album. ![]() Screams, whistles and the roar of the crowd can be heard as the track fades out and the surf-rock riff of ‘Pipeline’ plays out, a cover of the 1962 hit by The Chantays. The album opens with the remnants of classic masterpiece ‘O Fortuna’ playing in the background – a sure fire sign that Hanoi’s live shows were certainly something dramatic. Recorded at the Marquee Club in London (and originally put out there with the very dodgy typo of ‘waisted’ rather than ‘wasted’), All Those Wasted Years came at a good time for the predominantly Finnish band, as they were just starting to gain some ground in the UK at the time. ![]() It was the only live record the group released with British drummer Razzle holding the sticks, as he sadly died a year later in a tragic car crash. But not content with simply bringing out these two classic records, Dissonance have also reissued the band’s iconic 1984 live album ‘All Those Wasted Years’. If you’re keen to get your filthy mitts on some old school Finnish glam punk (and why wouldn’t you be?!), their first two records are definitely worth a punt. Writer(s): Andy MccoyLyrics powered by Productions have re-released some old Hanoi Rocks records. Don′t you ever leave me, baby Don't you ever leave me now Don′t you ever leave me, baby If you leave me you will kill me now The lights are slowly going down On the Times Avenue, and me I'm all alone, watching the rain falling down on my face A crowd of people passing by I don't think they recognize me They fade away into the night That′s when I think about you Don′t you ever leave me, baby Don't you ever leave me now Don′t you ever leave me, baby If you leave me you will kill me now I start living in the memory of you I start living in the memory of you I start living in the memory of you And the memory of all them things That you and me used to do, yeah And there's one more thing I wanna tell you I wanna tell you how much I really love you And I really do The lights are slowly going down On the Times Avenue, and me I′m all alone, watching the tears falling down on my face A subway train is passing by Driving into the night I jump inside 'cause I ain′t got nowhere to sleep That's when I think about you Don't you ever leave me, baby Don′t you ever leave me now Don′t you ever leave me, baby If you leave me you will kill me now I start living in the memory of you I start living in the memory of you I start living in the memory of you And all them funny things That you and me used to do You remember, you remember all them things That you and me used to do Don't forget, don′t bloody never forget Don't you ever leave me, baby Don′t you ever leave me now Don't you ever leave me, baby If you leave me you will kill me now I start living in the memory of you I start living in the memory of you I start living in the memory of you And the sweet taste of your lips And the sweet taste of your body And the sweet taste from the lips between your legs 8/16/2023 0 Comments Dorico elements vs proFinale and Sibelius have been around for about 30 years. For decades they're known to be unable to make software founded on good UX.ĮDIT: Wow, I think your answers were pretty good, thanks. TL DR - I have the impression Dorico isn't immune to the Steinberg way. I also used Pro Tools but I'm not good w/ it.Īnyways, of all DAWs I ever touched, only Cubase spent me many hours of watching videos, reading and asking forums, and opening support tickets, etc. Recently I tried Ableton Live and loved it. ![]() Personally, at home my recording DAW is Digital Performer, and I'm a longtime FL Studio user, esp. I don't buy into that argument to defend cumbersome software, cause everything has a learning curve and if the steepness isn't intrinsic to what you're trying to do, then the design is bad. I'm not a composer though, we only need scores in minute occasions, so maybe that's why I didn't see a problem.Īnd of course, there's the folks who like talking about learning curves. Now, people criticise Sibelius, I downloaded a trial yesterday and I'm impressed as how it gets out of my way and lets me actually write music. It is still there, the jurassic Steinberg way. ![]() I also own Cubase myself.Įven though Dorico gets the job done and it is not neartly half as cumbersome as Cubase, learning it feels just like learning Cubase: spend 80% of the time trying to find out how to do the stuff, 20% actually doing it. The thing is, I work in a studio where everything is Steinberg's. People are parroting all around that Dorico is the future of notation software. |
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